“Violinist Miranda Cuckson reaffirms her standing as one of the most sensitive and electric interpreters of new music.”  (Downbeat Magazine)

Called “top-notch in all respects” (Sequenza 21) and “an artist to be reckoned with” (Gramophone), violinist/violist Miranda Cuckson is a favorite of audiences for her performances of a range of repertoire. In demand as a soloist and chamber musician, she appears in major concert halls and festivals, universities, galleries and informal spaces. She made her recent Carnegie Hall concerto debut in Piston’s concerto with the American Symphony Orchestra and Leon Botstein. She has in recent years become one of the most sought-after performers of contemporary music, and she is enthusiastic about the role of the performer-interpreter in the creative process, and about supporting the culture of America and other countries. She has released nine solo albums, including music by Hersch, Shapey, Xenakis, Haas, Martino and concertos by Korngold and Ponce. Her recording of Luigi Nono’s “La lontananza nostalgica utopica futura” for violin and electronics was named a Best Classical Recording of 2012 by the New York Times.  

On May 6, ECM Records releases her new album “Bartok, Schnittke, Lutoslawski” with Blair McMillen: check it out here

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“undeniable musicality…she plays with such beauty and assurance ” (Allan Kozinn, New York Times)
“Ms. Cuckson brought out the work’s singing quality, a soulfulness as deep as anything in Janacek. Her tonal luster and variety of touch enliven everything she plays.”  (Zachary Woolfe, New York Times)
“What’s most impressive about Cuckson is the warmth and humanity she brings to the music” (Cultured Cleveland)
“breath-catching commitment” (Musical America)
“a solo revelation” (Concerto.net)
“Her impeccable articulation provided a clear thematic beacon, making sure the piece never became passion devoid of musical coherence.” (Boston Musical Intelligencer)